Φιλότιμο: Not Without Understanding When Felt Within

A couple Saturdays a month, I try and spend some time with a dear friend of my family’s named Maria. She owns a small Greek bakery on Central Avenue in Union City called Liberty Brand Pastries and Foods, where all the “big fat Greek” families near and far come for their koulourakia (butter cookies), baklava and holiday specialty foods. My Dad and I used to visit her for Kalamata olives and conversation in his native language; now I’m the one picking up olives, feta cheese, and those butter cookies I loved as a kid. Mix in a visit from the neighborhood mailwoman, a random diner owner, and even a priest from the local Greek church, and conversation and Papagalos Loumidis coffee abounds.

Maria talks to her friend Andreas at Liberty Brand.

Maria talks to her friend Andreas at Liberty Brand.

One particular Saturday, Maria and I spoke about many things, and we eventually landed on the subjects of my book and my new gig with Indiegogo. Maria’s fascination by my ability to tell her the weather for tomorrow just by looking at my phone today paled away when I explained to her what I spend my days doing from around 9:30AM to 5:30PM. I told her about my travels over the past five months and how many people and celebrities I’ve met in my short time with Indiegogo, and how I help them make their moviemaking dreams come true by helping them get the funding they need to make films they’ll be proud to show the world.

Maria then looked me in the eye with a certain sense of pride. “Yanni,” she said, saying my name in Greek, “you are a true filotimo.”

Having never heard this particular word before, I asked Maria what it meant. She told me it meant that I was a “friend of honor and integrity,” but then went on to say that filotimo is the most difficult word to translate from Greek into any language, and it’s an even harder concept to fully wrap one’s mind around. When I got home that afternoon, I did a little research. According to Christopher Xenopolous Janus, filotimo is “the most untranslatable and unique Greek virtue.” Composed from two words, filo- (friend) and -timos (honor/respect), filotimo is “a value of personal honor and pride that pivots on empathy and compassion for others as expressed through acts of generosity and sacrifice,” according to an informative blog post on Kafeneio.

Now, being that I’m more American than Greek, I grew up without any knowledge of the concept of filotimo, but it seems its seeds had been planted by my father ever since I was a boy. My Dad certainly embodied the essence of filotimo; he sacrificed so much for my sake, raising me right after my mother died; he stood tall and strong even in the face of the unseen adversary that took his voice and ultimately his life, but not without a near ten-year battle because he felt he still had to look after me. Much like every other story out there, and of course according to Joseph Campbell, we all must “atone with the father” and ultimately succeed him, as is the case with me. And so in that supersession, perhaps I’ve absorbed a subtle fraction of the filotimo he preached and practiced without him ever having to label it or give it a name.

reconciled Greeks, in general, have a strong sense of pride and are often accused of being selfish and having a formidable ego to contend with. But within all men and women who walk through life with open minds emerge two most important elements of storytelling and life: compassion and empathy, which each have their roots firmly planted in the ancient soil of the Hellenic world. With age comes growth and understanding. But to get there, we must first work on ourselves; we must be selfish (for a time, not forever) and start working on, as Michael Jackson once sang, “the man in the mirror.” In order to craft an award-winning screenplay, one must lock himself away with only a laptop, like Herman Melville had done with the writing of Moby Dick. And once the story is written, once the film premieres, we suddenly become the most selfless people in the world by having touched all those others around us in profound ways. Inducing tears, bellying up a laugh, moving a passive bystander to act. And once that happens –– or rather once we allow it to happen –– our individuality softly melts away, as it must, before we are allowed to become something truly great and selfless: a filotimo.

Therefore, filotimo is not merely a word, but a way of life; a feeling, not a philosophy. It’s something that grows alongside and within each and every one of us, not something we learn like mathematics or language. And while I’m still working on nurturing myself in mind, body and spirit, tapping out words on the page, I’m also giving back with each poem I publish, each Indiegogo campaign I help make successful, and with this very blog post you’re reading now. Filotimo resides in other people’s perception of you, like Maria and her perception of me. Its roots, though, come from years of growth and prosperity of the self, then sacrificing that self to the greater good by simply bringing out the greater good from within ourselves.

Perhaps the greatest show of filotimo ever.

Perhaps the greatest show of filotimo ever.

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Filotimo. Machisimo. Mensch. These are all cultural concepts sometimes difficult to grasp. Are there any others that you know of? Share them below –– I’d love to know them and what they mean to you.

Posted in Blogging, John T. Trigonis, manvelope, Uncategorized, Writing | Tagged , , , , , , | 1 Comment

From Auteur to Author, Part 3: Crowdfunding for Filmmakers Comes Full Circle

The circle is now complete –– I’m officially an author!

On Saturday, April 6th, I had my first-ever book signing for Crowdfunding for Filmmakers: The Way to a Successful Film Campaign, published by Michael Wiese Productions this past March.

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There I am reading to a captive audience at Tachair Bookshoppe, Jersey City.

The combination reading/signing was held in my favorite city in the country –– Jersey City, which also happens to be where I’ve lived for seven years now –– at a quaint little local bookshoppe called Tachair. The evening was special in many ways, mainly because I was surrounded by those who have been most supportive of me and my creative aspirations over the years. In the house was my lovely Lady Marinell, of course, to whom my book is dedicated; my brother Walter and sister-in-law Patti, who nearly made me well up when they told me how proud they were of me; and James Broderick and Vince D’Onofrio (not the actor, the playwright), two great friends, respected mentors, and former colleagues of mine from my days at New Jersey City University, where I’d taught Civilizations courses over the past ten years before trading in my adjunct status for the more reputable title of manager for film, web and video at Indiegogo.

Also in attendance were some exceptional folks whose friendships and support I’ve cherished over years, including Michael Ferrell and Devin Sanchez, two-thirds of the creative team behind the indie film Twenty Million People, which was successfully crowdfunded on Indiegogo between April and June of 2012, raising $13,515 on a $10,000 goal.

Amid a packed audience captivated by my personal stories of how Crowdfunding for Filmmakers came about and the various chapters I chose to read from, the evening was made even more significant simply because it was hosted by Tachair Bookshoppe. See, back in April, 2012, I wrote an article about Jersey City’s lack of a physical bookstore for Jersey City Independent. At that point in time, Tachair was a “roving” bookstore that would set up their tent at all the different markets and festivals in Downtown Jersey City. But partly because of my article and the spirited reception it received online, Aleta Valleau, her son Paul, and her mother Carol set up shop on Newark Avenue where they now sell used books, best-sellers, and books by local authors like me (and I hear those sell better than those best-sellers!)

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A throwback to the Cerise acrostic poem days –– an appropriate thank you to to a bookshoppe dedicated to preserving the written and spoken word.

It has been an amazing journey, and it’s not over yet! From crowdfunding my short film Cerise during the early dawn of crowdfunding for indie filmmakers to writing my first blog post in my “Tao of Crowdfunding” series, which would go on to inspire Crowdfunding for Filmmakers, and onto my current calling as one of two film gurus at Indiegogo helping filmmakers to craft successful campaigns, I’m certain none of this would have been possible without the blessings of the crowd –– Not my initial book deal with MWP, not my book being made available on Amazon, and not this book first book signing.

Make no mistake: It’s because of all of you terrific folks who’ve entered into my life, and who have allowed me to enter into yours, that I continue to receive such humbling triumphs and rewards, and I’ll pay it forward in helping our community make their independent filmmaking dreams come true, one campaign at a time.

That, and making a few more of my own come true, too. Stay tuned for more on that!

Posted in Blogging, cerise, crowd-funding, crowd-funding, crowdfunding, DIY Days, film, filmmaking, fundraising, ideas, independent, indie, John T. Trigonis, new york city, Uncategorized, Writing | Tagged , , , , , , , , , , , | Leave a comment

Five Too Few: Dynamo 5 and the Legacy in Need of a Renaissance

For as long as I can remember, I’ve loved superhero comics. And yes, I’m talking mostly about the mainstreamers –– Batman and Robin, Green Arrow, Superman, and Wonder Woman. I also have a pretty strong affinity to many of the underdog champions, like Metamorpho, Elongated Man, and Black Lightning, who aren’t as well known by the masses. And I don’t mean for this opening paragraph to be so DC-centric, but I don’t marvel as much at Stan Lee’s breed the way I used to in the ’90s; back then, you couldn’t tear me away from any stories starring the amazing Spider-man, uncanny X-Men, or my personal favorite Marvel misfit of the time, Ghost Rider.

One thing I’ve always been skeptical about as a somewhat closed-minded teenager reading comics in between classic works of literature was any superhero from some other universe outside the main solar systems of DC and Marvel. I certainly tried a few titles: Valiant’s Ninjak, Dark Horse’s Hellboy, and Image’s WildC.A.T.s and Cyberforce. They all seemed to center around pale imitations of A-listers and popular superteams, with the exception of Todd McFarlane’s Spawn, of course, which was badass in story, art, and originality.

It wasn’t until many years later that I opened my mind to the idea that cool heroes could exist outside the worlds of DC and Marvel. After joining the Broken Frontier staff, I conducted and wrote up an interview with comics and TV writer Jay Faerber, who was penning a crime series I enjoyed immensely called Near Death, that I found out about two other superhero-oriented series he worked on from 2002 to 2009 –– Noble Causes and Dynamo 5.

Dynamo 5 –– an original superhero team with unique abilities and real world problems.

Dynamo 5 –– an original superhero team with unique abilities and real world problems.

Even though I’m only two trades into the Noble Causes franchise, I’m already hooked, although not nearly as much as when I started reading Dynamo 5. I’ve read all five trade paperbacks, all in the course of a couple of months. See, after I met Jay at NYCC and had him sign my copy of Near Death #1, I snatched up a copy of Dynamo 5, Volume One: Post-Nuclear Family and turned it over to read the back cover, and I was immediately intrigued by the story’s originality:

He was the world’s greatest hero, but Captain Dynamo was not a faithful husband. Now he’s dead and his family is trying to piece their lives together. As his enemies descend on his unprotected city, Captain Dynamo’s widow rounds up his five illegitimate children, each of whom have inherited one of their father’s super-powers. Can these total strangers come to terms with their powers, their father’s legacy and each other as total chaos erupts?

With Noble Causes, Jay blends the superhero mythos with soap opera sentimentality, which all other action/adventure books of the superhero sort steer clear of. But by embracing it the way he does, Jay allows us into the everyday lives of this highly unlikeable but strangely fascinating family; plus, we see it all through the unbiased eyes of Liz Donnelly, the widow of the late Race Noble, much the way readers view the world of The Great Gatsby though the eyes of Nick Carraway. What Jay does best in Dynamo 5, however, is shift the focus onto five young strangers-turned-family members trying to cope with the knowledge that their father was Captain Dynamo, a Superman with somewhat less of a moral code when it came to extramarital affairs, and that they have now collectively inherited his role as the defenders of Tower City since his death.

When I had picked up this first volume of Dynamo 5, I honestly wasn’t in the mood for another superhero title; I’d been trying to round out my comics knowledge with indie titles, ones funded through crowdfunding platforms like Indiegogo and Kickstarter, and old crime and horror comics as research for my own upcoming series Siren’s Calling. But when I opened that gorgeous cover by Mahmud A. Asrar, I got through Post-Nuclear Family in a single sitting. As a matter of fact, I made it through each of the other four volumes in the same manner –– one shot, one after another. I was that engrossed in the lives of these teens-turned-teammates in this fresh take on the Teen Titans. This was not your typical superhero story, but rather something fiercely different and very similar to the graphic literature I’d been consuming. It fit right in with my research, and every book gave me tons of enjoyment, too.

And then I reached the end of Dynamo 5, Volume 5: Sins of the Father, and saw that the series had come to an end.

Victor pushes the limits of his newfound strength battling against aliens in Dynamo 5, Volume 5.

Hector pushes the limits of his newfound strength battling against aliens in Dynamo 5, Volume 5.

But the story wasn’t over.

How could it be over? One of the characters I’d seen mature from a visor-wearing Cyclops to an Incredible Hulk (sans the skin tone and Rob Liefeldian muscles) lies on the ledge of the dark side and I needed to know what was going to happen to him. But there was nothing more to the story except a holiday special. No Volume Six. No closure. Nothing.

I’m not sure why Dynamo 5 ceased its run after its fifth volume. There had been talk of another miniseries called Certain Death,” but the last anyone heard of that was from Jay’s old blog back in May, 2011 and a few pages illustrated by “Sins of the Father” artist Julio Brilho that’s posted on Jay’s Facebook page. Aside from that, the series seems to have remained “aborted.”

Until now, perhaps?

Recently, some smaller press publishers have reinstated lots of b-side superheroes like X-O Manowar for active duty. I gave some of them the benefit of a read, and none of them resonated with me the way Bridget, Hector, Gage, Olivia, Spencer, and even Maddie, the widow of Captain Dynamo, had. Don’t get me wrong, Valiant’s Harbinger, Dark Horse’s Ghost, and even DC’s Swamp Thing and Animal Man are all great action/adventure stories, but that’s where it stops for each of them. The kind of substance and humanity that Jay penned into every issue of Dynamo 5 is what’s lacking in just about every superhero story today. Now maybe substance and humanity don’t sell many books today, but perhaps what’s more important is having an audience that cares enough to help Bridget here lift Dynamo 5 to new heights and finally resurrect it from “Certain Death”.

Can we be like Briget and resurrect Dynamo 5 from "Certain Death"?

It’s kinda funny, but when I left Jay’s setup at the Image Comics booth at NYCC, I handed him a calling card for my book Crowdfunding for Filmmakers and said something along the lines of “if you ever want to crowdfund another few issues of Near Death, let me know and I’ll help you do it through the crowd.” But while his tale of Markham, the hit man who has a near death experience and vows to save a life for every one he’s taken, was compelling from first issue to final, the ending in Near Death #11 felt finished and complete. Markham lives in my head, and I know exactly what he’s doing, and where he’s doing it, too. But the kids from Dynamo 5? They’re in a limbo of my mind, an unfinished chapter that’s perhaps yet to be written that the fans would love to read in a single sitting, and once again become further invested in a superhero story with more substance and humanity than any other currently on the racks.

Or am I the only one who thinks this way?

I can’t be the only one.

Can I?

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C’mon, Dynamo 5 fans, speak up in the Comments below and let me know your thoughts, and whether or not you’d love to see a Volume 6 hit the comic shelves from Image soon.

Posted in Blogging, Comic Books, crowd-funding, crowdfunding, ideas, independent, indie, John T. Trigonis, Uncategorized, Writing | Tagged , , , , , , , , , , | Leave a comment

CrowdRaiser: How a Video Game Taught Me All I Know About Belief

One of my all-time favorite video games as a kid was ActRaiser for Super Nintendo, though I wasn’t fully aware of it until a couple weeks ago. The story revolves around The Master, who, having been defeated by The Evil One and his Guardians, returns to the shattered world he left behind to eradicate the evil Tanzra and rebuild civilization from the ashes of a hundred years of wickedness.

Master versus Manticore in ActRaiser.

Master versus Manticore in Bloodpool, Act One.

The most interesting thing about this game released by Square Enix back in 1991 is that it’s both a side-scrolling action/adventure and a city-building simulation. After battling some classic mythological beasts as a statue imbued with the spirit of The Master, you must then successfully rebuild the societies of Fillmore, Bloodpool, Kasandora, Aitos, Marahna, and Northwall by listening to the prayers of your people and answering them by way of miracles before you can start swinging sword and killing hordes of baddies and bosses that remain in a second action-packed act per realm.

Although I loved the action sequences in all their 16-bit awesomeness, it was really the SimCity aspect of ActRaiser I took to most, whereas others might have considered it slow-moving; as a matter of fact, ActRaiser 2 was released in 1993, which was strictly action-oriented and much less successful than its predecessor. Alongside taking and using offerings and working miracles to ensure the prosperity of the people, there is some arrow-shooting action from your Angel, whose main focus is to help each broken culture resurrect itself by unloading his quiver on all the napper bats and blue dragons that try to stump the progress of this brave new world.

The Angel does The Master's bidding and helps rebuild the society of Fillmore.

The Angel does The Master’s bidding and helps rebuild the society of Fillmore.

So I got to thinking recently how similar ActRaiser is to audience building. The game’s primary theme is belief. According to the user manual (remember when video games came with those?), the people ceased belief in The Master since he had fled a hundred years earlier. Once he reappears and defeats the creatures and the Centaur in Fillmore’s first act, the society’s Adam and Eve are created and show their appreciation for The Master in the form of prayers and offerings.

As artists, entrepreneurs, and creators of various kind, it’s important that we show people we’re worth believing in, that they can take a chance on us and what we’re looking to accomplish with our projects and not be disappointed. This begins with an innovative idea for a film, a product, or business, and from there we build up a core audience around the initial belief that the end result will make their lives better, easier, or more enjoyable. But we also have to evangelize our project, the same way the Angel in ActRaiser flutters two and fro carrying out The Master’s bidding and firing arrows at any agents of darkness that seek to keep our ideas in the dark.

We also have to drop a little miracle or two on our audience from the Sky Palaces where all our work is done. Use our lightning to clear a smooth path between our product and our crowd, then shower them with praise and updates on what’s up and what’s next; shine a little light on ourselves when times are slow or uneventful; strive to constantly blow away any demons of doubt in our crowd and ourselves and shake up the very nature of our respective industries with a well-placed earthquake. In the beginning, we may start with as little as two astute members of our audience, but ultimately, belief will spread, much how it does in each and every realm of ActRaiser’s world –– from the temperate green hills of Fillmore to the scorching Saharan desert of Kasandora. And to your very own living room.

Angry Video Game Nerd James Rolfe knows all about building audience. And being angry.

Angry Video Game Nerd James Rolfe knows all about building audience. And being angry.

I see a lot of crowdfunding campaigns, more now than ever before since I started working at Indiegogo, and I find the most successful campaigners nurture this sense of belief in their project early on and are more easily able to convert that belief into action in the form of contributions. Campaigners like James Rolfe (Angry Video Game Nerd: The Movie) and Hannah Hart (Hello, Harto!) understand this very well and have spent lots of time building up their fan bases on YouTube (968,851 and 476,350 subscribers, respectively, and counting), so it’s no wonder they were able to turn their fan’s dedication into dollars to help yield two of Indiegogo’s biggest film/web campaigns to date.

The most important thing to remember is that as creators, we are not The Masters, but rather the Angels serving the highest power –– our creations. Whether it’s the crowd from which we’re looking to pool funds to make a project happen or those we hope will use our latest gadget, or the ones who’ll be amongst the first to watch our latest film or video or buy our book –– and even those good-hearted folks who help by spreading our word –– we have to always listen to them to better serve their best interests. Less people in any given circle means less belief in our Masters, so that the statues of our ideas may forever remain unmoved and frozen in stone.

After all, what good would even that statue serve if there were no one there to see it?

ActRaiser_Master

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What video games, old or new school, have taught you something about everyday life? Share your thoughts below –– I’d love to hear about it!

Posted in Blogging, crowd-funding, crowdfunding, fundraising, ideas, John T. Trigonis, Writing | Tagged , , , , , , , , , , | Leave a comment

Professors Never Bow Out –– Only in New Directions

So here we are, folks –– my first Hat & Soul post of 2013!

This is also my first blog post as a former professor. Three weeks ago, I launched out into a brand new career with the crowdfunding platform Indiegogo. Some of you may remember that back in 2010, I entered the world of online fundraising with a campaign for my short film Cerise. Since then, I’ve gone on to consult on various film, music, and book campaigns, free of charge, because I felt I had some insights to offer. Ultimately, I wrote a series of blog posts, which lead to my first book, Crowdfunding for Filmmakers, which will be published by Michael Wiese Productions this March.

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“Go Fund Yourself” –– Most rock ‘n roll tagline ever!

It seems that my keen knowledge on the subject of crowdfunding, and what people have called my “intense generosity toward others” have paved my path to the Indiegogo offices in SoHo, NY, where I’m in charge of helping get film campaigns on the platform and get them funded, as described by my partner Brad Wyman, who produced a little film called Monster, which won Charlize Theron an Oscar back in 2003. And much the way it was a conversation on Twitter that partially lead me to pitch my book to @FocalPress and @MWPFilmBooks, it was #gogofilm that got me and @IndiegogoFilm talking about taking my skills to the next level.

Brad, as well as Indiegogo co-founders Slava Rubin and Danae Ringelmann, whom I’ve known since the days of my Cerise campaign, and Adam Chapnick, who I finally met at the company’s all hands conference in San Francisco last week, have shown me nothing but the utmost respect, even long before I became Indiegogo’s Vertical Manager for Film, Web & Video (“vertical” is just a fancy term for “category”). During my time as an adjunct professor (or what I called “freelance” because it sounded more dignified), however, there was seldom any respect shown.

PCAdjunct2In ten years of teaching in the higher education coliseum, I always got the thumbs down from my colleagues, all except a few select champions, who remain my heroes –– you they know who they are). I even spent a brief semester serving as secretary of the American Federation of Teachers local at my alma mater, and I saw the worst evils Hydden beneath these Dr. Jekyll’s unleashed before my eyes. And the confrontations always came down to a matter of degree: Unless you had a Ph.D., you were merely an instructor, and they hosed us down with reminders, sicked the dogs at us when we tried to speak up.

The only ones who give adjunct professors the respect they deserve are the students. They’re appreciative of all the knowledge we bestow on them. Many of them have never even heard the term “adjunct.” To them, a professor is a professor. Throughout the crowdfunding community, too, I’ve been given a great amount of respect from every friend, Twitter follower, and campaigner I’ve helped out along the bumpy road of crowdfunding by way of blogs, monthly guest posts at Daily Crowdsource, or my BBC spot in which I speak about crowdfunder etiquette.

And for that, I thank you all for helping steer me towards this bright new path where I can still be a professor.

A Tale of Two Professors
My Dad used to frequent the local Path Mark in Weehawken, NJ. Up and down the aisles he’d traverse, laying in his basket only items that were on sale, and all the while being cordial and talkative to everyone he’d meet in those aisles, even when he ultimately lost his voice to cancer. He always induced a smile from the cashiers and stock clerks, and they would open up to him about things that bothered them, both at work and at home. And my Dad, he’d listen. He’d give advice. And before long, he became known at that Path Mark as “The Professor.” No degree required, but a ton of respect.

Professors come full circle: Father and son, circa 1980(ish).

Professors come full circle: Father and son, circa 1980(ish).

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Movies of 2012 I Missed Because I Was Too Darn Busy Writing

It’s been an on again, off again relationship between the movie theater and me.

There were a few movies I really wanted to see in 2012, but I spent the bulk of my time hunched over my writing desk working on everything from Crowdfunding for Filmmakers to the script for my very first comic book, Siren’s Calling; plus there were countless comic book reviews, blog posts, and guest posts for Daily Crowdsource and various online venues that required my attention. The bright side is that I’ve written more in 2012 than in any other year of my entire writing life. The down side? I’ve gotten a bit too far-removed from the best and worst movies of the year; half the time, I didn’t even know what was playing in theaters! (Pretty sad for an indie filmmaker, huh?)

That said, what follows is a trio of (very) short lists of movies that (1) I wanted to see, but didn’t, (2) I saw but didn’t care much for, and (3) I’m looking forward to seeing (and will put in the effort to see) in theaters come 2013. So here goes!

Five Films I Wanted to See in 2012 (and Why), But Didn’t:
Argo –– Because everyone’s saying how awesome a director Ben Affleck is in this one.

*Les Miserables –– Because Marinell really wants to see this.

Lincoln –– Because I want to see why Daniel Day Lewis will receive the Oscar for Best Actor.

Looper –– Because it’s about time travel, and I’m all about time travel tales.

*On the Road –– Because I’ll always be a beatnik at heart.

* I may still be able to see these films before the end of 2012 –– wish me luck!

Three Films I Did See in 2012 And Was Disappointed With (and Why):
The Dark Knight Rises –– Because it felt like the first draft of a story that could’ve been as amazing as both The Dark Knight and Batman Begins.

Prometheus –– Because it was nothing like Alien.

Taken 2 –– Because it was just a sequel to a phenomenal first film.

Two Films I’ll Be Sure to See at a Theater in 2013 (and Why):
The Great Gatsby –– Because (1) the trailer looks amazing, and (2) I’ll always love the novel by F. Scott Fitzgerald.

Man of Steel –– Because it looks like the darkest take on Superman yet.

So my 2013 Resolution is, appropriately, to watch more indie and short films on a much more regular basis. What’s YOUR resolution?

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A Brief Meditation on the Connections that Create Us

It’s been said that everything in life happens for a reason, and that reason is always for the best. I subscribe to this philosophy wholeheartedly, since it’s yet to let me down. Through my brief studies in Zen Buddhism and my recent reading of Lao Tzu’s Hua Hu Ching, I understand this concept all the better.

Ma Yuan’s “Walking on a Mountain Path in Spring.” Song Dynasty, c.1160.

Everything we do is intrinsically linked to everything we’ve done and will do. Yet too often we take up arms against this natural Way of life, causing ourselves needless stress and anxiety. The sooner we accept what it is we are, the sooner we’ll be able to embrace the success and contentment we truly deserve. I certainly have, and I can only hope it’s the beginning of greater things to come.

In my brief 34 years, I’ve been afforded many wondrous opportunities to be myself. From the moment I received my first acceptance letter from Enigma for my poem “Paradise Lost” (much shorter than that other John’s poem) and turned my first 30-page script into an hour-and-a-half feature-length film to landing my first book deal, I’ve counted myself among the lucky ones who’ve been fortunate enough to share their stories with the world. Attending New York Comic Con this year further whetted a long dormant desire in me to write a comic book after I drafted the first issue of an original graphic horror story. And most recently, I’ve been offered a tremendous new opportunity to work with a team of dedicated individuals whom I greatly respect to lend a hand to crowdfunders and help get their projects noticed and funded, all because someone took notice of the advice I’ve been sharing on Twitter over the past three months under my #CF4Filmmakers hashtag.

Regardless of how it all turns out, none of this could have ever happened without connections. I’m not talking about the people we connect with, but rather the distinct vibrations of the universe that lead us to particular points in the time and space of our lives. For instance, I crowdfunded my short film Cerise on Indiegogo, something I could not have done had I not joined Twitter first and met a couple hundred awesome people who shared my interest in filmmaking. People like Gregory Bayne, who helped pique my interest in crowdfunding when I saw he was raising money online for his documentary Jens Pulver: Driven. Because of this, I launched my own campaign and raised $1,300 over my $5,000 goal from folks like you. My campaign ultimately led me to write a trio of blog posts, and those posts paved a direct path to Michael Wiese Productions, where I pitched the premise for what would become Crowdfunding for Filmmakers: The Way to a Successful Film Campaign.

That’s a proud me holding up a proof copy of Crowdfunding for Filmmakers.

One event connects to the next, and it’s this culmination of events that helps shape what I call “The Pu of You” (hmm…sounds like another book title…) Pu is the ancient Taoist concept of the “Uncarved Block.” The majority of us spend a lifetime trying to make ourselves what we want to be, and this can be a very positive thing, of course. But if the obstacles presented before us are too great to overcome, or if our skills necessary to make us thrive remain uncultivated, we carve ourselves in vain. If we let go, however, and allow the universe to create what it wants of us, then we become something else entirely. I’d always known I was a writer, but prior to my completing Crowdfunding for Filmmakers, I never thought it possible for me to focus on a long-term writing project and see it through to the end. That’s why I’ve billed myself as a poet for the past twenty years –– poems are short and can be finished (contrary to Paul Valéry’s old adage that a poem is never finished, only abandoned). But finishing a 253-page book, including three rewrites and a number of additional revisions? That gave me the confidence I needed to embrace the writer with a capital “W,” which the universe was trying to lure out of me despite my own uncertainty and doubt in my abilities.

And what if the universe has something different in store for me for the future? If that’s the case, it’s just fine by me. I know it’ll be all for the best. The connections that push us in the directions we’re headed have only our best interests in mind. If an obstacle thwarts our way, we need only find a new path around it. And we do this all the time. Some of us just over-think it, is all, and hold tight to things like regret and that heart-gnawing question: “What if?” But the truth is there is no “what if?” There’s only “what now?” We need to leave that kind of mental baggage on the side of the path ahead and never dwell too long on the detour sign that’s occasionally placed before us. After all, a detour is simply a new direction to the same destination. Enjoy the ride.

What advice, philosophies, and/or beliefs do YOU subscribe to on your journey towards greater things ahead? Share them in the comments section below. I’d love to read them!

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